26/30
Jean Reno filmed scenes for the movie, but they were completely cut from the finished film
Synopsis
A powerful business executive puts her career and family at risk when she begins a passionate affair with her much younger intern. Seen in Graham Norton in Gosti: Nicole Kidman/Cynthia Erivo/James Norton/Chris McClausland/Benson Boone (2024). I recently watched Babygirl and I have to say that it is one of the most unique and daring thrillers I have seen in a long time.
First of all, the visual effects are stunning
Directed by Halina Reijn, the film delves into the complexities of human desires and power dynamics, enveloped in an intense, almost suffocating atmosphere. Jasper Wolf’s cinematography captures the raw emotion of each scene, mixing light and shadow to create an atmospheric, almost dreamlike world. There is a constant sense of tension, as if something explosive could always happen, and the pacing keeps you on the edge of your seat the entire time.
However, Babygirl isn’t for everyone
Nicole Kidman gives a stunning performance, bringing a mix of vulnerability and cold calculation to her character. The supporting cast, though lesser known, also do a great job adding depth and unpredictability to the story. Without giving too much away, the film’s exploration of control and psychological subjugation is both disturbing and fascinating.
The erotic elements are tastefully implemented, but may be uncomfortable or controversial for some viewers
The plot feels intentionally vague at times, forcing you to piece together the characters’ motivations, which I found fascinating but might frustrate others. Overall, Babygirl is definitely worth a watch if you like psychological thrillers that don’t shy away from taboo subjects and test boundaries. It’s haunting, stylish, and will have you thinking about it long after the credits roll.
